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[ sons, imagens e palavras nada recomendáveis, deveras pouco legíveis em telemóveis "inteligentes" ]
Pain's now gone
Prime owls and reveries
Begileth dawn after dawn
In a sudden have they parted
A few grins dusk has found mine
Ashes amid elbowlike tongues
Beneath corpses adrifting
Thy was none
(2ª rev. / 1ª em 17.7.2010)
The tortures of hell are stern, their fires burn fiercely.
Yet vultures turn against the air more beautifully
than seagulls float downwind in cool sunlight,
or fans in asylums spin a loom of fate
for hope which never ventured up so high
as life’s deception, astride the vulture’s flight.
If death can fly, just for the love of flying,
what might not life do, for the love of dying?
For the Love of Dying, Malcolm Lowry, 1936-37
– [Hometowns are] destroyed by fire.
Rural as Mormon – Glimpsed
in the crosshairs of – I’m hypothesizing now –
These missiles: As if [people are people
in the old sense, or that] the old sense
is [replaced by] the new parts.
– I can’t do it myself,
on account of the ways I was brought up.
All the [wrecked pick-ups] on [blocks] you can [describe to your
parson]. That is most human
explodes on.
[Pessimism], of the [mill].
[Image.]
[Voice] that keeps rising into [an hysteria] so pure the [neighbourhood] mistakes
it for its [own beliefs].
na pág. 73 de “Pause Button”
- Kevin Davies, 2002
A mere series
the anti-Semitic history of Social Credit.
stripped, whipped, & dragged through the streets of Reggio
& not rob him or her.
“Awkward Crossword”
the galaxy at large
To be loved in the 8th grade
Later when the bell rings.
The interest in generated
meek in its t-shirts. But clean
The separation is permanent.
poor folk, possessed of shadow doubles
To stagger & grimly hallucinate
is not the actual voices.
& here is the standard proof.
on television.” Waiting around to see what they do to us. My research leads
nowhere. [ T]he restless history looked up in the dictionary. Held together by
will. They keep building these lousy houses for people who already have them
– The flying insect abandons the cherry tree. It adds up, but the policy is sub-
traction. The place
a complete horror but come on in anyway. I couldn’t to sleep because my heart
kept pounding. Do you know what I’m
saying? Go away! Suspicion: can’t remember putting shoes on, but there they are…
practising scales, riding a bike. The transformatio[
]s almost complete. You can’t step in the same horse twice. Besides,
all the best seats are taken so just go for an aimless walk & try to forget about pop-
ular culture for half an hour. Look up
in the sky, it’s
empty. The veterans are dying. My boombox’s busted &
soon, silence. Held in place. These back yards will weep. It will be different. The
cheque will bounce
but the ass will be covered. The [shaggy young] athletes will be drafted. A prophe-
cy. Besides,
– imagine thinking of yourself
as [halving contemporaries].
That difficult stage
[between birth &] late middle age.
The [brain, is all] thumbs.
– [2010: forced on spaceships {The unconscious is structuredlike a
Shriners’ convention} because they don’t know the language. By means of a special
diet I have
internalized class struggle. Because we couldn’t stand it we divided it by two.
Vaguely Cliffite. The nearly decorative. The
way the filters of these cheap Polish cigarettes become squishy after three puffs like
tapioca held together by innocent Christian faith.] Besides –
– The interior surface was covered with crystals, that’s how the old man
got me interested. I want to see the shredded ends of [ ]
lying classist bastards. No sun in weeks. Bitter, bitter tourism. To take home, & have
for always. But,
“somebody might feel that, even about themselves?”
– Should this month have an R in it & if not what of the
chowder. We took them, put them next to us, made them work, & now tie them up
out back so that the confusion in their eyes won’t add to our own. tough luck. [
] if we could
return to the subject. Examine stars spat back. What are they saying on the radio!
[“This is how teenagers think
– “NOW WHY IS THAT YUPPIE MOTHERFUCKER LYING ON THE SIDEWALK”
nas págs. 62, 63, 64, 65 e 66 de “Pause Button”
- Kevin Davies, 2002
– Possessions held together by string that breaks.
Resign yourself to the realignments & become improved by backing off slowly
into what [
] Nature flukes. Mature view [
T]he ability of gulls. After the lightning,
before the thunder. “I can’t be the only one who thinks
this!” “What I like is to live
as through I’m very rich & just don’t want anything.”
– hometowns are [psychological]
– hometowns are [mistaken in their assumptions]
– hometowns are [retirement meccas]
nas págs. 69 e 70 de "Pause Button", Kevin Davies, 2002 \ perto da foz do Ave, Agosto 2013
portagem A5, Junho 2014 \ The Ghost of Tom Joad, Bruce Springsteen, 1995
– Better health through higher income. The usual. Wanting
a more thrilling brand of junk mail.
[Abject suffering homelessness] has its privileges.
History [is banking]. The door
wide open but nobody’s inside
Looking around quickly there’s nothing to identify as a motive
– but [ ] misheard [ ] as [ ] & was out the door looking for it
before anyone could stop him. Besides,
I always feel better after lightning & thunder. Spring is all science
353 of them. I’d as soon be a caged cockatoo as go on toiling for these evil indus–
trial bosses. Strictly in theory. The pleasures of living
in a city include the following
– Roman behaviour & Greek psychology.
Sun blunts the architectural refinement.
The floor is covered with money.
– Walk several miles a day, eat plenty of straw,
ring the doorbell & run away,
having previously set the bag of shit on fire –
Not a photograph, it’s real food.
Wasted where the dam becomes the falls. Where the damned
souls fall forward, handcuffed to aching delegates.
nas págs. 67 e 68 de “Pause Button”
- Kevin Davies, 2002
Indícios?, por demais
um tremendo cansaço
de coisas feias, e daí
sons, diversos traços
caracteres alguns
de um rasto só
Algum tempo:
2017 Janeiro 2016 Dezembro Novembro Outubro Setembro Agosto Julho Junho Maio Abril Março Fevereiro Janeiro ; 2015 Dezembro Novembro Outubro Setembro Agosto Julho Junho Maio Abril Março Fevereiro Janeiro ; 2014 Dezembro Novembro Outubro
Setembro Agosto Julho
Junho
Maio Abril Março Fevereiro Janeiro; 2013 Dezembro Novembro Outubro Setembro Agosto Julho Junho Maio Abril Março Fevereiro Janeiro; 2012 Dezembro Novembro Outubro Setembro Agosto Julho Junho
(arquivos não acessíveis
via Google Chrome)
Algumas pessoas:
T ; José Carvalho da Costa, Francisco Q ; Alcino V, Vitor P ; José Carlos T, Fernando C, Eduardo F ; Paulo V, "Suf", Zé Manel, Miguel D, S, Isabel, Nancy ; Zé T, Marcelo, Faria, Eliana ; Isabel ; Ana C ; Paula, Carlos, Luís, Pedro, Sofia, Pli ; Miguel B ; professores Manuel João, Rogério, Fátima Marinho, Carlos Reis, Isabel Almeida, Paula Morão, Ivo Castro, Rita Veloso, Diana Almeida
Outros que, no exacto antípoda dos anteriores, despertam o pior de mim:
Demasiados. Não cabem aqui. É tudo gente discursivamente feia. Acendendo a TV ou ouvindo quem fora dela reproduz agendas mediáticas, entre o vómito e o tédio a lista tornar-se-ia insuportavelmente longa.
Uma chave, mais um chavão? A cultura popular do início deste séc. XXI fede !
joseqcarvalho@sapo.pt
José Afonso ; 13th Floor Elevators, The Monks, The Sonics, The Doors, Jimi Hendrix, The Stooges, Velvet Underground, Love / Arthur Lee, Pink Floyd (1967-1972), Can, Soft Machine, King Crimson, Roxy Music; Nick Drake, Lou Reed, John Cale, Neil Young, Joni Mitchell, Led Zeppelin, Frank Zappa ; Lincoln Chase, Curtis Mayfield, Sly & The Family Stone ; The Clash, Joy Division, The Fall, Echo & The Bunnymen ; Ramones, Pere Ubu, Talking Heads, The Gun Club, Sonic Youth, Pixies, Radiohead, Tindersticks, Divine Comedy, Cornelius, Portishead, Beirut, Yo La Tengo, The Magnetic Fields, Smog / Bill Callahan, Lambchop, Califone, My Brightest Diamond, Tuneyards ; Arthur Russell, David Sylvian, Brian Eno, Scott Walker, Tom Zé, Nick Cave ; The Lounge Lizards / John Lurie, Blurt / Ted Milton, Bill Evans, Chet Baker, John Coltrane, Jimmy Smith ; Linton Kwesi Johnson, Lee "Scratch" Perry ; Jacques Brel, Tom Waits, Amália Rodrigues ; Nils Frahm, Peter Broderick, Greg Haines, Hauschka ; Franz Schubert, Franz Liszt, Eric Satie, Igor Stravinsky, György Ligeti ; Boris Berezovsky, Gina Bachauer, Ivo Pogorelich, Jascha Heifetz, David Oistrakh, Daniil Trifonov
Agustina Bessa Luís, Anna Akhmatova, António Franco Alexandre, Armando Silva Carvalho, Bob Dylan, Boris Vian, Carl Sagan, Cole Porter, Daniil Kharms, Evgeni Evtuchenko, Fernando Pessoa, George Steiner, Gonçalo M. Tavares, Guy Debord, Hans Magnus Enzensberger, Harold Bloom, Heiner Müller, João MIguel Fernandes Jorge, John Mateer, John McDowell, Jorge de Sena, José Afonso, Jürgen Habermas, Kevin Davies, Kurt Vonnegut Jr., Lêdo Ivo, Leonard Cohen, Luís de Camões, Luís Quintais, Marcel Proust, Marina Tzvietaieva, Mário Cesariny, Noam Chomsky, Ossip Mandelstam, Ray Brassier, Raymond Williams, Roland Barthes, Sá de Miranda, Safo, Sergei Yessinin, Shakespeare, Sofia M. B. Andresen, Ted Benton, Vitorino Nemésio, Vladimir Maiakovski, Wallace Stevens, Walter Benjamin, W.H. Auden, Wislawa Szymborska, Zbigniew Herbert, Zygmunt Bauman
Algum som & imagem: